![Stefan Kartman](/img/default-banner.jpg)
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Stefan Kartman
США
Добавлен 19 дек 2007
Here are videos and sound files of cellist, Stefan Kartman
MSO Cellists @ UWM - Concert December 10
Please Join Us!
Sunday, December 10 at 7:00 PM
UWM Peck School of the Arts Recital Hall
uwm.edu/arts/event/cellists-of-the-mso/
Sunday, December 10 at 7:00 PM
UWM Peck School of the Arts Recital Hall
uwm.edu/arts/event/cellists-of-the-mso/
Просмотров: 203
Видео
Haydn C major Cello Concerto - Teaching Intonation in Thumb Position
Просмотров 55511 месяцев назад
This video works on a small section of melody from the first page of Haydn’s C major Cello Concerto. The ideas worked on have larger implications on how to work carefully on intonation in general and how specifically to approach working on the intonation of melodic passages in thumb position. The exercises used in the video are from: “An Artist’s Guide to Cello Technique” by Stefan Kartman Avai...
Brahms C minor Piano Quartet Op 60 3rd mvt
Просмотров 2782 года назад
Brahms C minor Piano Quartet, Op. 60 Kartman Chamber Players Myron Kartman, violin Lise McDonough, viola Stefan Kartman, cello Jeannie Yu. piano
Dvorak Concerto Stefan Kartman FCS April 9 2022
Просмотров 2732 года назад
Dvorak Concerto Stefan Kartman FCS April 9 2022
Video announcing December 11th Florestan Duo Concert
Просмотров 2612 года назад
The Florestan Duo Stefan Kartman, cello - Jeannie Yu, piano Will perform a recital at 7:30PM on Saturday, December 11th at the University of Wisconsin - Milwaukee in the Peck School of the Arts Recital Hall. uwm.edu/arts/event/florestan-duo-and-friends/
Beethoven D Major Sonata Intro
Просмотров 1602 года назад
Introduction to Beethoven Complete Works for Piano and Cello CD or MP3 Available at… www.cello kartman.com Florestan Duo Stefan Kartman, cello and Jeannie Yu, piano
Brahms C minor Trio 2nd mvt
Просмотров 963 года назад
Brahms Trio #3 in C minor, Op. 101 Milwaukee Chamber Music Festival Allegro energico ruclips.net/video/wDeLhQowgZA/видео.html Presto non assai ruclips.net/video/reOKOWbFHCI/видео.html Andante grazioso ruclips.net/video/Zbcb2Jt8Sfc/видео.html Molto Allegro ruclips.net/video/zOcKaY6GV-k/видео.html Kyungsun Lee, violin StefanKartman, cello Jeannie Yu Piano
Brahms C minor Trio 1st Mvt
Просмотров 693 года назад
Brahms Trio #3 in C minor, Op. 101 Milwaukee Chamber Music Festival Allegro energico ruclips.net/video/wDeLhQowgZA/видео.html Presto non assai ruclips.net/video/reOKOWbFHCI/видео.html Andante grazioso ruclips.net/video/Zbcb2Jt8Sfc/видео.html Molto Allegro ruclips.net/video/zOcKaY6GV-k/видео.html Kyungsun Lee, violin StefanKartman, cello Jeannie Yu Piano
Brahms C minor Trio 3rd Mvt
Просмотров 223 года назад
Brahms Trio #3 in C minor, Op. 101 Milwaukee Chamber Music Festival Allegro energico ruclips.net/video/wDeLhQowgZA/видео.html Presto non assai ruclips.net/video/reOKOWbFHCI/видео.html Andante grazioso ruclips.net/video/Zbcb2Jt8Sfc/видео.html Molto Allegro ruclips.net/video/zOcKaY6GV-k/видео.html Kyungsun Lee, violin StefanKartman, cello Jeannie Yu Piano
Brahms C Minor Trio 4th Mvt
Просмотров 213 года назад
Brahms Trio #3 in C minor, Op. 101 Milwaukee Chamber Music Festival Allegro energico ruclips.net/video/wDeLhQowgZA/видео.html Presto non assai ruclips.net/video/reOKOWbFHCI/видео.html Andante grazioso ruclips.net/video/Zbcb2Jt8Sfc/видео.html Molto Allegro ruclips.net/video/zOcKaY6GV-k/видео.html Kyungsun Lee, violin StefanKartman, cello Jeannie Yu Piano
Kartman GMCMF Presentation 2020
Просмотров 6203 года назад
Making Daily Practice Count What benefits do we see from our daily technique regimen? How can we use our daily practice to improve the performance of our concertos and chamber music parts? Dr. Stefan Kartman explores these questions and more with demonstration and explanations for the 2020 Green Mountain Chamber Music Festival. Most musicians spend a portion of their practice on scales, arpeggi...
Beethoven Eb Piano Trio Op 1#1
Просмотров 2433 года назад
Beethoven's First Piano Trio Robert Hanford, violin Stefan Kartman, cello Jeannie Yu, piano Recording: Theodore Koth Engineer/Producer, Stefan Kartman Video, Stefan Kartman Peck School of the Arts Recital Hall University of Wisconsin - Milwaukee Program PDF panthers-my.sharepoint.com/:b:/r/personal/skartman_uwm_edu/Documents/Shared with Everyone/CMM Concert March 18/CMM March 18 Printed Program...
Rebecca Clarke Trio 1921
Просмотров 1963 года назад
Rebecca Clarke's Piano Trio (1921) Robert Hanford, violin Stefan Kartman, cello Jeannie Yu, piano Recording: Theodore Koth Engineer/Producer, Stefan Kartman Video, Stefan Kartman Peck School of the Arts Recital Hall University of Wisconsin - Milwaukee Program PDF panthers-my.sharepoint.com/:b:/r/personal/skartman_uwm_edu/Documents/Shared with Everyone/CMM Concert March 18/CMM March 18 Printed P...
Schumann Piano Quintet MCMF 2002
Просмотров 933 года назад
Performance from Milwaukee Chamber Music Festival 2002
Bach G major Suite for Solo Cello Rvb
Просмотров 1353 года назад
Suite for Cello Solo in G major by J.S. Bach Stefan Kartman, cello
Chamber Music Online 7 - Using Homemade Clicktracks
Просмотров 643 года назад
Chamber Music Online 7 - Using Homemade Clicktracks
Chamber Music Online 5 - Layering Audio with ProTools
Просмотров 723 года назад
Chamber Music Online 5 - Layering Audio with ProTools
Chamber Music Online 4 - Recording and Layering Tracks
Просмотров 603 года назад
Chamber Music Online 4 - Recording and Layering Tracks
Chamber Music Online Tutorial 2 - Overview/Plan
Просмотров 1863 года назад
Chamber Music Online Tutorial 2 - Overview/Plan
Chamber Music Online Tutorial 3 - Equipment
Просмотров 1523 года назад
Chamber Music Online Tutorial 3 - Equipment
Klengel Theme and Variations in G major, Op. 28 - Stefan Kartman X 4
Просмотров 5 тыс.3 года назад
Klengel Theme and Variations in G major, Op. 28 - Stefan Kartman X 4
Chamber Music Online Tutorial 1 - Intro
Просмотров 2253 года назад
Chamber Music Online Tutorial 1 - Intro
Owning Your Scales - Galamian 24 Notes - Practice Tips
Просмотров 17 тыс.4 года назад
Owning Your Scales - Galamian 24 Notes - Practice Tips
Haydn/Piatigorsky Divertimento in D
Просмотров 1,3 тыс.4 года назад
Haydn/Piatigorsky Divertimento in D
Bach Suite #5 in C minor - Stefan Kartman
Просмотров 5894 года назад
Bach Suite #5 in C minor - Stefan Kartman
Vibrato Speed Changing Exercise - Explanation
Просмотров 2054 года назад
Vibrato Speed Changing Exercise - Explanation
you were a huge influence on me even though i didn't last long- also, this suite is a nightmare to play so awesome job on nailing it
I'm curious , Pablo Ferrandez, Zlatomir Fung, and others I have seen go beyond the tonal center of the note, both flat and sharp. Check out Pablo's slo mo of him doing it(he has a vid on his channel). It is beautiful and wider which gives it a very "singing" colour. Why are we taught to not go above the tonal center when vibrating ? In fact for me the only way I can initiate a nice open vibrato is to actually start my impulse going sharp. Why are we not taught vibrato this way. Still, this was the best and most comprehensive video I've seen on the subject. Thx! best/Doug
In my vibrato exercise, I find the center on the pitch and vibrate above and below. To my ear, that’s the only way the vibrato sounds in tune with a drone or with the piano. Obvious exceptions depending on color notes like 7ths and thirds to the harmonizing chords if it’s a tonal work. You can see the sine curve I’m talking about as well as width and speed if you use a graphic pitch mapping app like tunable. As far as direction of start in the pitch, I like follow through. That is to say when ascending, pitch follows through in the direction of pitch change. Ascending would go above pitch first and descending intervals go below pitch first. Anything else sounds like a disruption in the flow of vibrato from pitch to pitch. Then there’s speed and width to illuminate the phrase. I could write a book on that subject.
Glad to find a fellow scientist/artist/nerd/scholar. Thanks for your questions.
@@FlorestanDuo Agree, I think Vibrato is the least talked about(when seeking more advanced study) and maybe most important aspect of Cello playing. without beautiful vibrato we might as well be playing a piano, Vibrato gives so much meaning in a piece. Thanks for responding and for the "RUclips university " lesson.
Finally someone who can explain it so well. Thank you so much!! It will help me tremendously 🙏
Pathetic.
It was not boring at all. It would be wonderful to see more content like this.
Is the book available for commoners, too?
Dear Jun, thank you for your comments. I’m glad you enjoyed the video. Yes, the book is available. Here is another shorter video about using the book for teaching . There are links to my website site to get the book. ruclips.net/video/JsuqrOKASl4/видео.htmlsi=TXq-hJqdfyH5V6I7
Excelente! Agradecido - thanks from Brazil ❤
4:22
Good tips, but never forget ignore sound production and the various dynamics, colors, nuances and articulations that are necessary for a rich palette when practicing scales. Otherwise you could be mindlessly manufacturing a factory machine that is 'amusical' or even anti-musical. My opinion only.
Really great video, Stefan, bravo!
@@FlorestanDuo I had a student for three years during his HS (home schooled) sophomore through senior years that was tall, gangly, still growing and, when he first played for me, was very awkward and stiff at the instrument yet thoroughly committed to the cello. I asked him to take the leap of faith and dedicate himself to learning the Galamian scales and arpeggios with drones, singing intervals, Starker-esque serial exercises in 2, 3 and 4 octaves. This he did and in his senior year he both played in Carnegie Hall with his youth orchestra and won a city wide concerto competition performing the Saint-Saens. He was still tall, gangly and awkward looking, but he didn't miss any notes and had a coolness in his stage presence that was remarkable and testament to the lasting effects of learning the notes and how to get there from anywhere. (Btw. this is Alex Kramer writing, BM with BG, Rutgers 88-92. I'm Canadian now, eh! Really fun trip to get to see you play and teach on YT, Stefan; please remember me to Jeannie and love to you both from East Van, BC!)
I was looking for vibrato lessons and I found your video and I had to thank you, it helped me a lot!!
Thank you Isla. It means so much to me that these exercises are of use to cellists. Best wishes and I hope you can find the perfect sound for your favorite phrases.
I use this vibrato exercise as part of my warm-up.
That makes me so happy Amy. It’s so meaningful to me when these exercises help people.
going to use this to help me with pezzo, rococo variations and getting into NYO (or at least give it my best shot)
Dear Zain, Thank you for your message. It’s very gratifying to know the effort I put into making the video is helpful to you. I hope you win the NYO audition. It’s a great program. There are other interesting videos at my website if you are curious: Www.cellokartman.com Best wishes,good luck, and stay well. Stefan
Powerfully tips ....I have been playing by ear in that same way w/different songs using the melodies to chase and harmonize. Also anticipating unfamiliar melodies, you can antisipate playing the half or whole steps in given key. This opened another world in "Playing By Ear" Falling into songs, I surprised myself in playing many songs that are unknown. Knowing scales help . I first find the home note (key) in any song...(the note droning through the song), then the home note- chord...(the quartet). Once this is found, the melody is acquired. The result is playing most any songs without sheet music. Though, I do read. Played country for decades w/fiddle whereby I learned to play by ear. I then Al's mastered the cello the same way. I like the thumb use as a capo to create dow-ray-me scales anywhere. Thanx for tip info!
For an semi pro cellist like me, I find this very helpful. I like how you break down the concepts so it's easier to understand. I'm familiar with Galamian and I practice the scale method often. Slow learner at first but once I get it I get it.
Excellent!
Naches
Got no words for dat
Noice?
Lol...I didn't understand a word of this, because I've been playing for only 2 months! Even though my 51 yr. old anatomy and brain currently struggles with 1st position scales, I love listening to videos like this, things way too advanced for me, in order to prime my brain for what is to come. I look forward to the elation of when I actually understand it.😊 It's also very encouraging to hear advanced players admit to facing difficult spots in a piece of music, and the need to practice, we are all still learning.❤️
@@FlorestanDuo it's true, music is another language altogether! Teaching is tough, but the thrill when a student "gets it" is pretty amazing. I'm a mom, that's how I know about that feeling, of course we mom's are our children's first teachers.😂 I also marvel how composers can write the different parts for all the instruments keeping all the notes and rhythms in time and tune to one another... it's all so fascinating to me! I recently learned what a slur is, so I'm working on bowing to accommodate all the notes in the slur before running out of bow; I'm assuming that is what this scale exercise is teaching, or at least, in part?
@@FlorestanDuo I do get it...uh... mostly. But I will absolutely "get all of it" at some point. I'll probably be practicing the scale and then it will "click." That's what happened to me regarding major scales, such as C, D and G, and how they are marked on the staff. It was quite thrilling when I really understood it!😂 Or like how I was playing 'Ode To Joy' on the A string (still in D Major) when my sheet music had me on the D string, so I had to find the high note with a shift -- I DID IT!!! That was a thrill, lemme tell ya! I was high for the rest of the day!😂
You’re so kind and generous to make this material available to us. Thank you so much. I’ll use this to help my three cellist children. Thanks again.
Hello there Master! . Is it possible to purchases your method From Amazon or where You have it available. Thanks and greets From Colombia.
Greetings to you David. Thank you for watching my video. You may purchase the method from the following website. Www.cellokartman.com Good luck and health to you and your family. I hope to her you play someday.
CDs or MP3s available at: Www.cello kartman.com
Venue? Orchestra? Conductor, if any? Just curious.
Northwestern university chamber orchestra, Pick Steiger Concert Hall, Fred Ockwell conductor.
Love this! Could u provide a link!?
To Ckelsey_cello Here is a link to my website where you can order “an Artist’s Guide to Cello Technique” www.cellokartman.com I will warn you in advance I just started creating the website and most of it is just a template, but ordering for the pdf or hard copy of thw “Artist’s Guide” works fine. Let me know if you have any questions. Stefan
@@FlorestanDuo Thanks for the Link! No worries in regards to the website.
Thank you for the thorough break down! Which app are you using for the drone sound?
Sorry for the late reply. I used Tunable‘s for the drone app and I connect to Bluetooth speaker. If you have a choice use sine curve for the type of tone produced
Lovely! How can I purchase your book?
Hi Anthony, I’m glad you enjoyed my video and thank you for watching. I’m trying to avoid giving out my personal contact info on RUclips, but you can google search my university email. I teach at Univeristy of Wisconsin- Milwaukee. Once we are in contact, I can sell you an online or printed copy. They are not expensive, I make them mostly for my students.
Hi Anthony, I’m just getting started on my website, so much of it is a template, but you can order “An Artist’s Guide to Cello Technique” there. www.cellokartman.com Sorry I took so long to get back to you. Stefan
Dear Dr. Kartman, this is the best version of Saint Saens I’ve heard. I wanted to know if you gave lessons via zoom or like that? I’m really interested in studying with you.
Dear Otto, That’s the nicest compliment and thank you so much for listening. I’m glad you enjoyed the performance. Yes I do teach online and in person. I am the cello professor at University of Wisconsin - Milwaukee and I also have students from different places in the world whom I teach privately. I will figure out how to get you a message privately so the RUclips world doesn’t have my contact information and we can set something up. Best wishes to you. Sincerely, Stefan
I'm a little confused by the demo of the hexachords at 12:10 in video. The music clearly printed the fingering 124124 but u were playing 123123 so which is which?!🙄🤔
Hi Steve, thanks for your question. You are correct. The fingering is not the same. In fact the notes are also not the same. I mentioned briefly in the video that I was transposing a section of a larger exercise to specifically cover the needs of this specific area of this particular scale. The fingering that I play in the video is the one that you should use. Sorry if that was unclear.
This is amazing material, thank you so much for generously making this available. So helpful!
Thank you Ivan. So nice of you to say. Sometimes I wonder if anyone is watching the videos I make and then a new subscriber like you comes to my rescue.
@@FlorestanDuo I think that, when I started taking cello classes, I developed a different appreciation for musicians who share quality materials like this publicly and free of any charge. I am a late comer to cello and have been playing for a few years. I can do it as a hobby (which I take seriously, otherwise it wouldn't work) and it has been a terrific experience! But those who do cello and music in general for a living struggle, particularly during this pandemic time when people are unfairly prioritizing things (and artists in general are suffering, as we become less human avoiding concerts, theaters, museums, etc.), as gatherings for concerts are still restricted. Musicians have a special place in my supportive efforts to save the arts (and to feel more human, really).
@@irebustini Som glad to hear from you again. I am also glad you are enjoying your studies in music and particularly with the cello. Music and learning are beautiful things and the world is in need of beautiful things at this time. I hope you continue to enjoy your studies and deepen your knowledge and appreciation for the arts. The world is also in need of people like you who are willing and take the time from busy lives to learn about and appreciate what affect the arts have on the human condition. Thank you.
Thank you so much for posting this video... your tips are helping a lot in my practice scales...
I’m so glad it was helpful to you Rafael. Enjoy your practice!
I was wondering why NARROWAY kept starting out like that, thanks!
Interesting! I tend to build my exercises off of tetrachord but the idea of the hexachord as a foundation of technique is very interesting. In thumb position it keeps us off of the thumb and in the lower position allows us to play within a tonality as opposed to within a position. Very interesting
Dear Aidan, thanks for your interest and for watching the scales video. I do use tetrachords for the basis of thumb position exercises (chromatic thumb position exercise) but as you mentioned, hexachords work for me in scales because it avoids the 12 12 123 combo that everyone uses and doesn’t fit any rhythmic grouping. Nice playing on your Saint Saens and popper. I like your go for it approach.
This vibrato series is very helpful. Thanks for posting.
Dear Gasparo, I glad you enjoyed the vibrato exercises. Best wishes.
So helpful. Many thanks.
For the most accurate, up-to-date information on Rebecca Clarke's life, career, and works, please see her official website, www.rebeccaclarkecomposer.com. For further details, use the “Contact” page on the website. I am a great-nephew of Clarke’s and the owner of her rights as composer and author. - Christopher Johnson (Brooklyn, New York, USA)
Dear Christopher, Thank you for the suggestion and for taking the time to comment and listen. We are well familiar with her official website as well as “A Rebecca Clark Reader” containing transcripts and a recording of her interview at the age of 90 with Bob Sherman at WQXR as well as her writing on subjects having to do with chamber music rehearsal and performance. The website and the reader are both excellent resources. However, the best resources of all are her wonderful compositions that we enjoyed so much in our preparation and performance.
@@FlorestanDuo A very fine performance, more lyrical than most - and I love the way the photography brings out the layering in the piece. I'm afraid, however, that there's been some misunderstanding about the website: www.rebeccaclarkecomposer.com represents Clarke and provides the only legitimate pathway to her manuscripts and unpublished writings; the website that's associated with the "Reader" represents the opinions and projects of someone else, and contains much inaccurate and misleading information, including an out-of-date works-list. The "Reader" was issued in 2004 by Indiana University Press and immediately withdrawn by the publisher for false and misleading statements, and for pervasive infringement of copyright. A more accurate and up-to-date guide to the Clarke literature is at rebeccaclarkecomposer.com/learn-more/. There is also relevant information at rebeccaclarkecomposer.com/frequently-asked-questions/.
Dear Christopher, Thank you again for your comments and for your stewardship of her legacy and works. I had no idea I was stepping into a controversial subject by taking “A Rebecca Clarke Reader” out from the library in an innocent attempt to learn more about her life and works. It’s a pity that the publishers were not more careful about licensing issues. I felt closer to her by reading her published “Music and Letters” articles as well as transcripts of the interviews with Bob Sherman. I can’t unread them, but your comments and the link to the proper website are well appreciated. Anyway, I’m glad we performed her trio and I’m glad that you enjoyed our concert, streamed at UWM originally on March 18th.
Really great
great presentation, I appreciate this!
I’m so glad you enjoyed Brice. Thank you for watching and best wishes.
Outstanding!
Thank you so much for the kind words Jesus. I’m glad you enjoyed the video.
@@FlorestanDuo Very much indeed. I am coaching this work right now, and love it!
Fun piece to coach. I made the video to learn how to use Protools and video editing software so that I could teach my students to put together chamber music online. Then no one wanted to deal with all the tech, so I’m waiting until I can get back to live teaching.
@@FlorestanDuo You did an amazing job. Not only does it sound great, but looking at the other players (you!) at the right time was perfect!
Thanks again Jesus, you are very kind. I have to laugh about the interaction between the different me in the quartet. Since I had to memorize not just all of the parts, but where to look, it was tricky. I thought I had things right the first time, but when I put the video together, I realized I was looking at the empty chair instead of where my imaginary face was. It was a strange surprise to see how odd it looked when I looked in the wrong place. Haha.
Solid gold!
Thank you for putting this up - it's a great workout to keep the scales interesting.
You are welcome. Thank you for viewing. I’m glad you enjoyed the video. Best wishes.